CRAFT WORK
STILLSUIT AT ESCAPE VELOCITY 2016
Reproduction of stillsuit from Dune (1984) | Museum of Science Fiction
STILLSUIT REPRODUCTION | FOAM
Draped foam "muscle" groups and plastic web tubing; prototyped skinning method and finishing as part of team reproduction of stillsuit from Dune (1984) | Jennifer Guadagno, co-draper; Rachel Pollock, crafts artisan | Museum of Science Fiction
STILLSUIT REPRODUCTION | SKIN SAMPLE
Draped foam "muscle" groups and plastic web tubing; prototyped skinning method and finishing as part of team reproduction of stillsuit from Dune (1984) | Jennifer Guadagno, co-draper; Rachel Pollock, crafts artisan | Museum of Science Fiction
STILLSUIT REPRODUCTION | PAINT
Draped foam "muscle" groups and plastic web tubing; prototyped skinning method and finishing as part of team reproduction of stillsuit from Dune (1984) | Jennifer Guadagno, co-draper; Rachel Pollock, crafts artisan | Museum of Science Fiction
SILK PAINTING | SIDE
Draped bodice and configured painting layout on form and applied surface treatment | Surface Design | Rachel Pollock, instructor | Spring 2015, University of North Carolina
SILK PAINTING | FRONT
Draped bodice and configured painting layout on form and applied surface treatment | Surface Design | Rachel Pollock, instructor | Spring 2015, University of North Carolina
SILK PAINTING | BACK
Draped bodice and configured painting layout on form and applied surface treatment | Surface Design | Rachel Pollock, instructor | Spring 2015, University of North Carolina
SILK PAINTING | DETAIL
Draped bodice and configured painting layout on form and applied surface treatment | Surface Design | Rachel Pollock, instructor | Spring 2015, University of North Carolina
SILK PAINTING | PROCESS
Draped bodice and configured painting layout on form and applied surface treatment | Surface Design | Rachel Pollock, instructor | Spring 2015, University of North Carolina
SILK PAINTING | MOCKUP
Draped bodice and configured painting layout on form and applied surface treatment | Surface Design | Rachel Pollock, instructor | Spring 2015, University of North Carolina
SHIBORI SHIRTDRESS | FRONT
Draped bodice on padded form and flat patterned skirt before designing and applying dye process | Surface Design | Rachel Pollock, instructor | Spring 2015, University of North Carolina
SHIBORI SHIRTDRESS | BACK
Draped bodice on padded form and flat patterned skirt before designing and applying dye process | Surface Design | Rachel Pollock, instructor | Spring 2015, University of North Carolina
SHIBORI SHIRTDRESS | TIED RESISTS
Draped bodice on padded form and flat patterned skirt before designing and applying dye process | Surface Design | Rachel Pollock, instructor | Spring 2015, University of North Carolina
SHIBORI SHIRTDRESS | DYE SAMPLES
Draped bodice on padded form and flat patterned skirt before designing and applying dye process | Surface Design | Rachel Pollock, instructor | Spring 2015, University of North Carolina
ANTLER HEADDRESS | SIDE
Constructed from Wonderflex base with vinyl cover and distressed and painted garniture | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
ANTLER HEADDRESS | FRONT
Constructed from Wonderflex base with vinyl cover and distressed and painted garniture | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
ANTLER HEADDRESS | MOCKUP
Constructed from Wonderflex base with vinyl cover and distressed and painted garniture | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
ANTLER HEADDRESS | PROCESS
Constructed from Wonderflex base with vinyl cover and distressed and painted garniture | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
ANTLER HEADDRESS | MOSS ATTACHMENT
Constructed from Wonderflex base with vinyl cover and removeable distressed and painted garniture | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
ANTLER HEADDRESS | GARNITURE DETAIL
Constructed from Wonderflex base with vinyl cover and distressed and painted garniture | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
EQUESTRIENNE | SIDE
Patterned crown and blocked brim in buckram, covered in satin and finished with bow | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
EQUESTRIENNE | FRONT
Patterned crown and blocked brim in buckram, covered in satin and finished with bow | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
EQUESTRIENNE | BOW
Patterned crown and blocked brim in buckram, covered in satin and finished with bow | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
EQUESTRIENNE | FRONT
Patterned crown and blocked brim in buckram, covered in satin and finished with bow | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
EQUESTRIENNE | DETAIL
Patterned crown and blocked brim in buckram, covered in satin and finished with bow | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
EQUESTRIENNE | UNDERBRIM ATTACHMENT
Patterned crown and blocked brim in buckram, covered in satin and finished with bow | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
FELT HAT | HATBAND
Draped and blocked felt hat | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
FELT HAT | FRONT WITHOUT BAND
Draped and blocked felt hat | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
FELT HAT | DRAPED CROWN
Draped and blocked felt hat | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
FELT HAT | BRIM
Draped and blocked felt hat | Millinery | Rachel Pollock, instructor | Fall 2014, University of North Carolina
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EMILY PLONSKI
COSTUME TECHNICIAN
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